E 'this a case of shopping, rather than be an enjoyable experience of entertainment, such as brand experience teaches, and means of escape from the stress from daily concerns, it becomes a further reason to build up anxiety and nervousness ... .. it is inexplicable to describe the sensation experienced when you are not able to find what you tried or made worse when the purchase has left us dissatisfied. ... surely someone will understand me !!?...
But we must not be overcome by despair, for each problem (if this, then, that can be called) is a solution, enough to understand the characteristics of our bodies, knowing the strengths and exploit them to conceal or minimize those which are deemed not part of the picture you want to give, following some tricks ... small and harmless advice.
For women with a type of strong constitution, and forms enough rounded , waist deep, poorly defined and plentiful sides ( "on apple ) is must be created to enhance the verticality. We should prefer soft tissues that gently caress the forms and avoid large and rigid (too heavy tweed), member (the jersey), or with heavy fantasies (Scottish, large drawings, horizontal lines) and transparencies.
For models suitable cuts that highlight the shape of the body gently without forcing either completely hide it with clothes that are too wide or long, suitable for the deep V-necklines which break up the volume, reduce the breast, and focus attention on his shoulders. Among the colors black 'streamlines', but it can be embedded in other colors: in addition to the brown and blue sea, cool colors, green, blue, all shades of blue, purple, plum. The warm colors of yellow, red, orange can give vitality to the wardrobe when combined with accessories ranging from necklaces to scarves, from shoes to bags. Unwrapped is just white and cream. The length of the mesh should reach the hips, and remember never fit them in the pants or skirt . These preferred tube; the pants with drawstring waist and fluid line. Finally, the figure is not burdened with too broad overlap between heads and wide, like the coat on flared pants or cardigan on large or long skirt.
If you have the body shape "pear", that reduced the top, with bust and narrow shoulders than hips, thighs and buttocks generous, to give balance to the figure bets on clear tone for the upper body and dark to the bottom.
Seek gimmicks that fill the back (big hills, major round necklines decorated with braids, curls, jackets with padded shoulders and square) that do not notice the difference between the circumference of the hips, which will be matched to clothes long just above the knee skirts the straight line, slip, comfortable, countersunk pockets. The pants rights and better than soft Fascinating or pleats, ruffles and drawstring that increase in amplitude.
For those of you who do not Vantin instead inches Vatussi , clothing monochrome for example socks, skirt, pants and shoes the same color, due to the effect conferred by continuity and absence lines that break the figure, it helps to give the illusion of a slimmer silhouette.
Not recommended are the tricks that accentuate the horizontal lines, circles or the tailor who tend to bisect the figure (large belts, high Piégon pants, dresses cut in life) ; of choice are absolutely the vertical lines in the armor of the fabric, printing, modeling, choice of accessories such as scarves with long spans, no knots.
E 'preferred choice of printed fabrics microns, rather than macrons, and shoes not too high, that would ruin (in contrast to what is commonly believed and is) the harmony of body, if you want to take account of certain canons of proportion .
Well women who love fashion, from now on do not be afraid to choose from more sun your boss, you have the appropriate information to guide you, expert in your shopping without the advice of his friend, that, sometimes, sorrow would know not to go even lie, but also free from the pedantic "pressing" of orders that would do anything to sell the dress ... .... - "Believe me, it seems made just for her !!"-.
Elizabeth Gianfelice
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