A demonstration of this history and the past we have witnessed what fashion and continues to interact with the surrounding reality.
fact, when the man began to feel the need to cover, not only for protection from cold, but also because of the shame of being forced naked resorted to wrap the body, clothing, which took on different characteristics on the basis of race, environments, religions, cultures.
If only we pause to consider and follow the evolution of clothing in our western culture, we might note that each historical period is a specific style clothing area, which becomes emblem.
For example asceticism Medieval , transcendence and the sense of elevation to God, as clearly evident in the architecture of the period (think of the Gothic style), also found expression in clothing that minimizes linear in robes, holding a slight body weak, almost non-existent as well as in shoes that are pointy and high.
The signs of change sixteenth century, the appreciation of man, the center of the universe, the cult of beauty they bloom again the sense of taste and knowledge, which flows not only in the cultural, humanistic and science but also in the adoption of a new and decent grace "put".
The same goes for baroque penalty, translated into ruffs, clothing drives, heavy, very austere degradation libidinous eighteenth in splendid garments, embellished, exceedingly low-cut.
fashion as an expression of society, has evolved hand in hand with the man, with his views, beliefs, knowledge and discoveries.
As for the creative concept related to fashion is important to note that the evolution of styles has followed very slow times during the past centuries, compared to twentieth century when the changes have succeeded with a lightning speed: decade by decade.
An inexorable process of stylistic and conceptual evolution is dated to the early twentieth century when Poiret, known French designer, the woman freed from the constraints of the corset, offering clothes soft and bright in the Eastern inspirations colors borrowed from the Fauves, driven by the influences of the Ballets Russes, sports activity that required greater freedom of movement.
the same line of Poiret are moving in the other tailors known figures including Madeleine Vionnet , that the balance of its drapery and the bias reported in the popular genre classic greek apparel.
Between 1910 and 1930 the history of costume, there are two phenomena which cause a decisive turning point in designing fashion: the Futurism, the twisting of conventions, and Russian Constructivism which translated conceptual revolutions in real forms: think of short hair in cap, shortened her skirts and slip lines on the sides.
A Coco Chanel is credited with having freed women's fashion through contamination with men's clothing, had introduced the minimalism, the little black dress, the tweed suit, jewelry and gem huge handbag with chain , the famous No. 5 perfume, combining practicality dream.
Even after World War II Christian Dior captures the desire for rebirth of the company proposing skirts made with huge amounts of fabric, pastel colors, narrow waist, luxury, to forget the hardships and privations of war.
E 'with the prêt-à-porter born in the 60's that fashion before the question arises: exclusivity and distribution. These years saw the rise of the miniskirt, fashion, cartoon, pop, Courrèges geometries, the metal plates Paco Rabanne, the discovery of new fabrics and materials, counter-birth of the anti-modern, in the years
fact is that the new inspired and always pairs with a desire for social change and existential depths.
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