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crucifixes in classrooms and true Christians (Alessio Ponz de Leon & C.)

Dedicated by a layman to all true Christians, , who consider such a sword for defending the crucifix in classrooms, but they want to see sink the boats full of illegal immigrants, who beat homosexuals because they are different, they hate the beggars and street people who wash your windshield, that they hate Travellers and ravage the fields, they hate the color of the skin other than their own..

From the Gospel according to St. Matthew - The final
"When the Son of man in his majesty, with all the Angels, is numb on his throne of glory. And all nations will be gathered in front of him, but he shall separate them one from another as a shepherd separates the sheep from the goats, and set the sheep on his right and the goats on the left. Then the King will say to those that are at his right hand, Come, ye blessed of my Father, take possession of the kingdom prepared for you until the creation of the world. For I was hungry and you gave me food, I was thirsty and ye gave me drink: I was a pilgrim and I albergaste, I was naked and clothed me, sick and visited me in prison and ye came unto me. Then the righteous will answer him, 'Lord, when did we saw you hungry and we gave refreshment thirsty and we gave you a drink? When did we see you a pilgrim and lodging, or naked and clothed thee? When we saw you sick or in prison and have come to visit you? And the king will answer them, Verily I say unto you: every time you did it to one of the least of these my brethren, ye have done to me. Finally

will say to those who will be his left hand, Depart from me, ye cursed, into everlasting fire, prepared for the devil and his angels. For I was hungry and you gave me food, I was thirsty and ye gave me drink: I was a pilgrim and I albergaste, naked and clothed me, sick and in prison and ye visited me not. Then shall they also answer him, 'Lord, when did we see you hungry or thirsty, or pilgrim, or naked, or sick or in prison, and took thee not witnessed? But he answer them, Verily I say whatever you have done it unto one of the least of these my brethren, you've done to me. And they will go to eternal punishment, but the righteous to eternal life. " (Alessio Ponz de Leon & Co., for his blog)

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In the "pit of the Afghan people" without dignity (Charles Ciavoni)

pending political asylum that never comes

ROMA - E 'crossing their eyes, lost, desperate, or even closer to the cabins in the mud, made of blankets, cardboard and wood pieces, which are often quite like these 100-150 young Afghan refugees in an excavation for the foundations of a building Via Ostiense in Bavastro Captain, are the first victims of a short circuit between the global phenomenon of migration and the narrow policy of the Italian Government, in apparent collision course with European directives and the Italian Constitution.

thousand stories of men who seem to have lost their dignity, are interwoven in the "Afghan village, a little more than a kilometer from the Colosseum and the Campidoglio, all united by one destiny: to be hunted. A particular risk for the approximately 80 refugees in transit Ostiense, who want to continue their journey - have already cost thousands of euro, prey to "vultures" of all species - to reach other European paesei.
risk because no census has been made by the City, for a legitimate choice, but imposed by the Treaty of Dublin in 1990, an international agreement which lays down the principle that, received a refugee in one of the EU countries, if he decides to go to another European nation, it is immediately sent back where it was first surveyed.
For everyone else - about 60 - they choose instead of being recorded, the Councillor for Social Policies of the Capitol, Sveva Belviso guarantees acceptance to CARA (the reception center for asylum seekers) of the Red Cross in Castelnuovo di Porto , north of Rome. "Beyond the availability of the Municipality of Rome - Alberto Barbieri said of Doctors for Human Rights, for years engaged in helping Afghans' - there is a decisive step: the ability to accept a civil, dignified even people only in transit. "
" A condition - added Dr. Barbieri - who must surely be governed by precise rules and spent some time, but accommodation that, as brief and temporary, must be decent and hygienically acceptable.
Residents of the "hole dell'Ostiense" are called Habib, Mohamed, calling Kaihan or Esfandyan. They tell amazing stories of violence from which they fled and which, rather than relive them, prefer indecency, poverty and insecurity they feel here. They are just men, very young, some underage, all Muslims. you see them pray even five times a day, as most of them are Orthodox. For the ritual ablutions before kneeling toward Mecca, make do with her at the fountain near the railway.
Already, the railroad. Less than one hundred meters from the "Hole of the Afghan people" run the tracks of the Ostiense station, where other shacks of cardboard, others are home to ethnic groups other than the slums indecent Pashtuns, concentrated all in the "pit", the place felt more comfortable perhaps by this group hegemon at home, and apparently also in exile. In small "satellite districts" along the railway, there are groups of Azara, Uzbeks, Tajiks, Turkmens.

"I arrived in Italy four days .... do not ask me how I did it ... but tomorrow I go On the first train going towards Ventimiglia and I'm leaving, "says Faharan, 24, returned from an intramuscular injection which has been done to the camper of Physicians for Human Rights.
What's happening in the" hole "of 'Ostiense is a punch in the stomach in the middle of an area in a European capital. Accepted by many who have given tents and blankets, but also just endured for so many others in the neighborhood. Laura Boldrini, spokesperson of the High Commissioner for Refugees UN, said: "It is not the result of political choice by public authorities not to invest more on the first host, which would allow refugees to stand on its own legs, without getting long in a state dependency and uncertainty. Especially without causing degradation of situations like these. "
The Boldrini then recalls the rocky road of the rules that govern the recognition in Italy for political asylum." Bossi-Fini law in 2004 introduced the concept that if a refugee is denied political asylum, he must go immediately, without waiting for the outcome of a review of his request. "

" concept, this was canceled in 2006 by the Prodi government, which reopen the possibility for the applicant to wait in Italy to the second degree. In 2008, finally, with the 'security package', facing strict ranges that, in fact, with few exceptions, do not put them at those fleeing from war, violence, harassment, denial of human rights or natural disaster, simply to advance the claim for asylum. " (La Repubblica, November 8, 2009)

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Veline women and silicon (Alessio Ponz de Leon)

who, like me, has some year or so on the shoulders no doubt will remember what once was identified with the word "tissue". It was a paper thin, diaphanous and transparent, with whom, as children, we liked to trace images and photographs in pencil. It came out naive drawings , faded and rough copies of the original image.

Today the word has become synonymous with tissue sculettante forms a handsome boy, who shakes and makes moine front of the camera, his eyes always turned to the objective, in the hope that someone known and propose a small part in a film of poor quality or unnecessary in some television program.

But in the end, apart from the fact of being nice to wear swimsuit Adamic, how to rotate the arms, and then coaxing sculettare catchy, know what else to do the tissues? Absolutely nothing, they are just untalented and faded copies of other women who work with true professionalism in the entertainment world. Yet to become a tissue seems to have become, today, the greatest aspiration of many young and ambitious, even more, to many parents.

Once there were the "soubrettes" that filled with their talent and their professionalism in the screens of the old black and white televisions. I remember some, like Delia Scala, Caterina Valente, Lauretta Masiero, Marisa Del Frate. Women were beautiful, charming, graceful and talented. Could dance, sing and act and had no need to show her breasts and buttocks to be appreciated by the public. And most importantly, were not afraid of their age. Greeted with resignation and dignity of the inexorable changes brought about by the passage of time and, once their season ended, we simply put aside.

Today we see women on television, rather than accept the idea that time can not stop, they prefer to look like zombies come out of the film "Night of the Living Dead"; noses all the same, artifacts and improbable, like those of dead lounge areas; gummy boobs that defy all physical laws, first and foremost that of gravity; labbroni silicone, monstrously swollen, as were items from a swarm of angry hornets. Just the idea of \u200b\u200bkissing one of those mouths puts chills down my spine.

But really there are men who like women like that? Who like to kiss a labbrone fake and cold, and touch a breast that looks like the plastic Flubber of Walt Disney or the trumpet of a machine Vintage? It must certainly be so if more women, even young, receiving this massacre.

I am reminded of the words he spoke to Anna Magnani a makeup artist who, during the filming of a movie, he wanted to hide the wrinkles of the face. He said, "Let me all, it took me a lifetime to make them." What woman boys. (Alessio Ponz de Leon for his blog).